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Influencing During Elections, AI ๐Ÿ”Ž for AI, & More

Influencing During Elections, AI ๐Ÿ”Ž for AI, & More

September 9, 2024

How elections are shaping influencer marketing, from brand strategies to social media spending by Antoinette Siu

Influencer-focused agencies interviewed by Digiday expect TikTok to play a key role in the creator space during the final months of the U.S. election cycle. A report from Collective Voice found 76% of surveyed consumers want election content from creators, while 46% of influencers are adjusting their content and partnership strategies to accommodate the election. 45% of consumers say theyโ€™re more likely to support influencers who align with their values. As studies like The Medium Moves the Message find, podcast audiences are not as skittish about challenging/political content than one might presume, as the average podcast listener self-selects the content they listen to. If the content is not wildly different from the showโ€™s core experience, audiences actively choose to continue consuming it.

YouTube Develops Synthetic Audio ID Tech by Laurie Sullivan

Robots will soon be fighting robots, as YouTube is developing an AI-powered version of their Content ID system that will auto-detect AI-generated content featuring simulated voices and faces. A key portion of the system focuses on detecting synthetic singing to curb the uptick in songs created using commercially-available generative AI tools. The replicant-detection tech is expected to enter a pilot program with select partners in 2025.

The Waiting Game – Optimizing the News

This yearโ€™s IAB advertising outlook finds ad growth is up overall, but a few sections of the industry have backslid. Gaming revenue in particular has stagnated with a flat 5.1% growth year over year, signaling a loss of market share to other channels. Gamingโ€™s 3.8% ad revenue share dropped to 3% y-o-y. Channels like podcasting, which has had an uphill battle attracting ad budgets, continues to grow. While thereโ€™s potential arguments gaming as an industry has transitioned towards direct-to-consumer branded experiences on centralized platforms (see: Call of Duty and Fortnite), instead of selling in-game billboards, that still means their former market space has freed up. Podcasting, with a sizable collection of gaming-focused content, is in a position to leverage that freed space.

On N.B.A. Player Podcasts, Thereโ€™s the Star and Then the Other Guy By David Gardner

As more and more active and retired NBA players become podcast hosts in their spare time, a subgenre has emerged: Player-hosted shows featuring a friend or business partner as co-host, often someone unknown in the media sphere. The player brings audience draw, while the co-host provides chemistry via their existing friendship. The co-host also tends to blend the role of host and producer, often handling the lionโ€™s share of behind-the-scenes work so the podcast leaving it largely hands-off for the athlete. Some unknown co-hosts are friends doing it for free, some are paid a basic wage, others have ad revenue share. Leaving some podcasts on potentially shaky ground as a vital piece of the production could end up overworked or undercompensated as productions grow exponentially.

As for the rest of the newsโ€ฆ

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